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Written as a music theory text that not only addresses the important fundamental syntax of music in the classical sense but also relates this syntax to current practices and styles, this book should be particularly well-suited to musicians focusing on aspects of the music business and of popular culture.

• Sales Rank: #1057969 in eBooks
• Published on: 1995-01-01
• Released on: 2012-08-09
• Format: Kindle eBook

About the Author
Richard Sorce was a faculty member in the Department of Music and Performing Arts at New York University's Steinhardt School of Education.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Couldn't be happier
By Sean Montemurro
I'm very pleased with the content of this book. It is definately a university level book. I'm not a university level music student, but my aim is to gain the best understanding of my chosen profession as possible by teaching myself. I do not go to school for this. I do not have a teacher. I needed a reliable source of information, and this is about as in depth as I'd like to go right now. The first few chapters are a refresher course, however, I found that I gained a wealth of information just from studying those chapters. I see this as a book that will take me years to finish with. After I've read the book, I will definately come back to this to reinforce what I've learned. My only gripe is that the self test is outstanding, challenging, and interesting, but the book does not contain an answer key.

11 of 11 people found the following review helpful.
Commercial music textbook primarily for classroom use
By A Customer
With this 1995 title, Ardsley House continues its bid to introduce a complete quality line of university-level music industry textbooks. Unlike texts or popular books which subtly suggest that songwriters and media-oriented music makers might be able to get by with a little less traditional theory, author Richard Sorce, from New York University, where leading programs in both musical theater and commercial music can now be found, heads in the other direction, saying, "There is no quick method of becoming a competent composer, songwriter, arranger, orchestrator, harmonist, improvisor, or theorist." This book, then, is a map of the high road, for commercial musicians who want to make every theory stop along the way. The author's philosophy is that the music of the common practice period (1650-1875?) guides not only classically-oriented musicians, but all music practitioners. "Whether a performer, writer, arranger, recording engineer, or publishing agent, the professional musician must know the componenets of music if he or she expects to sustain a successful career." Sorce has thus taken the stand of a purist, and many competent commercial practitioners may disagree. But on the other hand, so many young musicians begin careers, knowing how to do a few things well, but then, when their careers take the inevitable turn toward film scoring or other larger works, they find themselves relatively clueless. That's where this book can help. Take pages 180 and 181, for example: I get all excited seeing Bach's "Chorale No.15" from "St. John Passion," side by side with Paul Simon's "Stranded in a Limousine," with both of them harmonized using popular music chord symbols. I'm hoping that teachers of commercial music will gradually adopt this rather rigorous text, which sets a new benchmark in the field of theory for the commercial musician. Ron Simpson, School of Music, Brigham Young University. Author of MASTERING THE MUSIC BUSINESS

0 of 1 people found the following review helpful.
Five Stars
By Tien Chu
Very good

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In Mismatched Women, author Jennifer Fleeger introduces readers to a lineage of women whose voices do not "match" their bodies by conventional expectations, from George du Maurier's literary Trilby to Metropolitan Opera singer Marion Talley, from Snow White and Sleeping Beauty to Kate Smith and Deanna Durbin. The book tells a new story about female representation by theorizing a figure regularly dismissed as an aberration. The mismatched woman is a stumbling block for both sound and feminist theory, argues Fleeger, because she has been synchronized yet seems to have been put together incorrectly, as if her body could not possibly house the voice that the camera insists belongs to her. Fleeger broadens the traditionally cinematic context of feminist film theory to account for literary, animated, televisual, and virtual influences. This approach bridges gaps between disciplinary frameworks, showing that studies of literature, film, media, opera, and popular music pose common questions about authenticity, vocal and visual realism, circulation, and reproduction. The book analyzes the importance of the mismatched female voice in historical debates over the emergence of new media and unravels the complexity of female representation in moments of technological change.

• Sales Rank: #2315276 in Books
• Published on: 2014-09-01
• Released on: 2014-09-01
• Original language: English
• Number of items: 1
• Dimensions: 6.10" h x .90" w x 9.20" l, .0 pounds
• Binding: Paperback
• 264 pages

Review

"Jennifer Fleeger's Mismatched Women is a must-read for anyone interested in musical women, performance studies, and media culture." --Marcia J. Citron, Rice University, Music and Letters

"Mismatched Women sings with intelligence, originality, and depth." --Claudia Gorbman, co-editor of The Oxford Handbook of New Audiovisual Aesthetics

"Fleeger complicates previous theories of the female voice, rethinking the 'match' between sound and body, technology and voice. Linking seemingly disparate singers and modes of performance - ranging from opera to animated film to radio and reality TV - Fleeger shows the way in which mismatched women challenge gender stereotypes and mechanisms of pity associated with having, or being, the wrong body." --Pamela Wojcik, Director of Gender Studies and Professor of Film at the University of Notre Dame

"[T]he blend of recorded music history with the analysis and interpretation that Fleeger offers marks her book as unique...Fleeger's rigorous academic analysis represents a much-needed addition to the music and performance analysis in scholarly literature...I recommend this book for any academic music or media library as well as scholars who wish to study women and music, women and mass media, women and popular culture, or sound recording history."--Association for Recorded Sound Collections Journal

About the Author

Jennifer Fleeger is Assistant Professor in the Department of Media and Communication Studies at Ursinus College where she teaches courses in the film studies program. Her first book, Sounding American: Hollywood, Opera, and Jazz, also appears in Oxford's Music/Media Series.

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• Sales Rank: #1363721 in eBooks
• Published on: 1997-01-01
• Released on: 1997-01-01
• Format: Kindle eBook

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Good if book applies to your cameras
By electricamerman
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Interesting but relatively basic overviews
By William I.
Easy to read and interesting, but I think the title of this book is deceiveing. Although the book has good info, it is by no means an "advanced" manual for repairing cameras.
Many tips and techniques are just overviews, without specific step by step instructions. I was left longing for more detail.
I understand that to cover all the cameras listed in total detail would be an enormous and impractical task, I think it would be a better book if it were to focus more specifically and in more detail on one or two cameras.

3 of 6 people found the following review helpful.
camera repair
By Niels Jørn Hansen
too few illustrations, too much "figure out the construction", too much "make notes", that is not helpfull

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From bestselling author Jon Krakauer, a stark, powerful, meticulously reported narrative about a series of sexual assaults at the University of Montana ­— stories that illuminate the human drama behind the national plague of campus rape
 
Missoula, Montana, is a typical college town, with a highly regarded state university, bucolic surroundings, a lively social scene, and an excellent football team — the Grizzlies — with a rabid fan base.
 
The Department of Justice investigated 350 sexual assaults reported to the Missoula police between January 2008 and May 2012. Few of these assaults were properly handled by either the university or local authorities. In this, Missoula is also typical.
 
A DOJ report released in December of 2014 estimates 110,000 women between the ages of eighteen and twenty-four are raped each year. Krakauer’s devastating narrative of what happened in Missoula makes clear why rape is so prevalent on American campuses, and why rape victims are so reluctant to report assault.
 
Acquaintance rape is a crime like no other. Unlike burglary or embezzlement or any other felony, the victim often comes under more suspicion than the alleged perpetrator. This is especially true if the victim is sexually active; if she had been drinking prior to the assault — and if the man she accuses plays on a popular sports team. The vanishingly small but highly publicized incidents of false accusations are often used to dismiss her claims in the press. If the case goes to trial, the woman’s entire personal life becomes fair game for defense attorneys.
 
This brutal reality goes a long way towards explaining why acquaintance rape is the most underreported crime in America. In addition to physical trauma, its victims often suffer devastating psychological damage that leads to feelings of shame, emotional paralysis and stigmatization. PTSD rates for rape victims are estimated to be 50%, higher than soldiers returning from war.
 
In Missoula, Krakauer chronicles the searing experiences of several women in Missoula — the nights when they were raped; their fear and self-doubt in the aftermath; the way they were treated by the police, prosecutors, defense attorneys; the public vilification and private anguish; their bravery in pushing forward and what it cost them.
 
Some of them went to the police. Some declined to go to the police, or to press charges, but sought redress from the university, which has its own, non-criminal judicial process when a student is accused of rape. In two cases the police agreed to press charges and the district attorney agreed to prosecute. One case led to a conviction; one to an acquittal. Those women courageous enough to press charges or to speak publicly about their experiences were attacked in the media, on Grizzly football fan sites, and/or to their faces. The university expelled three of the accused rapists, but one was reinstated by state officials in a secret proceeding. One district attorney testified for an alleged rapist at his university hearing. She later left the prosecutor’s office and successfully defended the Grizzlies’ star quarterback in his rape trial. The horror of being raped, in each woman’s case, was magnified by the mechanics of the justice system and the reaction of the community.
 
Krakauer’s dispassionate, carefully documented account of what these women endured cuts through the abstract ideological debate about campus rape. College-age women are not raped because they are promiscuous, or drunk, or send mixed signals, or feel guilty about casual sex, or seek attention. They are the victims of a terrible crime and deserving of compassion from society and fairness from a justice system that is clearly broken. 

• Sales Rank: #9946 in eBooks
• Published on: 2015-04-21
• Released on: 2015-04-21
• Format: Kindle eBook

Amazon.com Review

An Amazon Best Book of April 2015: Toward the end of this powerful, absorbing book, best-selling author Jon Krakauer quotes a jury member as she sums up popular assumptions about sexual assault: “(1) A stranger jumps out from the bushes; (2) There is no (assault) unless the woman puts up a fight, to the death if necessary.” The truth is much different—assaults by acquaintances are by far the most common form of the crime. In Missoula, Krakauer examines one community’s struggle with such accusations, shining a bright light on a problem that frequently goes underreported and is all-too-easy to sweep under the rug. Not only must victims contend with the after-effects of the crime, they must often face doubting police, antagonistic lawyers, and the whims of popular opinion. Some of the reported assaults in Krakauer’s book involved members of the University of Montana’s beloved Grizzly football team. Using facts and documentation balanced by interviews and courtroom drama, he builds a gem of narrative nonfiction that will educate and incite. As the story builds, culminating in two different trials with two different outcomes, readers will find themselves consumed by the factual and emotional complexities of the subject. No page turner this year will be more incendiary than Missoula. – Chris Schluep

Review
"[H]arrowing.... [I]ncisive.... Krakauer's investigation will succeed in altering the conversation around sexual violence.... Missoula will undoubtedly fortify those of us who have already broken our silence and may rally those who have not dared to.”
— Los Angeles Times

"Excellent.... Krakauer doesn't just tell the story of these crimes. As he has done so brilliantly in his other books...he sets the story firmly in the context of social history."
— Boston Globe

“[A] narrative nonfiction page-turner.... Missoula demonstrates that it’s not only possible but advantageous for reporters to remain clear-eye while also taking victims’ concerns into account. Krakauer skillfully strengthens his sources’ recollections without taking away their agency. He doesn’t hide from complexity or nuance.”
— Katie Baker, BuzzFeed

"[E]xpertly researched.... Equal parts riveting and horrifying, it's a hell of a read--and a necessary one."
— People

“[M]eticulously reported, fascinating and deeply disturbing.... By probing the specific, Krakauer illuminates upsetting generalities..... Krakauer—a journalist who is also a compelling writer—artfully keeps the books from becoming a compendium of facts..... It’s an important, difficult and timely subject.”
— USA Today

“A good and needed thing.... [P]owerful.... Krakauer tells a sad an infuriating story.... Krakauer has done a great service by taking on this subject.” 
— Newsweek

“[A] case study of the widespread problem of campus rape.... For anyone distressed by the high rate of sexual assault afflicting young woman, and who wants to understand some of the ways in which the justice system fails them—and shouldn’t that be all of us?—Krakauer’s book is worth reading.”
— Time

"[A] devestating exposé of colleges and local law enforcement when it comes to investigating and prosecuting campus sex crimes.... [A] substantive deep dive into the morass of campus sex crimes, where the victim is too often treated like the accused." 
— Entertainment Weekly 
 
“[S]crupulously reported... The depth of [Krakauer’s] reporting...illustrates just how difficult it can be for victims to get justice.”
— Salon  

"[R]elentless, exhaustive.... Krakauer does not pretend to be scooping anyone. Instead, he systematically details the many myths surrounding rape and the many ways in which our society mistreats victims long after the actual assault."
— Outside

"[C]lear and dispassionate, offering level-headed, in-depth reportage.... [T]he disquieting fact running through Krakauer's narrative is this: Missoula is typical."
— Chicago Tribune

"[A]n impassioned study of campus rape.... Krakauer’s evocative reporting, honed to a fine edge of anger, vividly conveys the ordeal of victims and their ongoing psychological dislocations. The result is a hard-hitting true-crime expose that looks underneath the he-said-she-said to get at the sexist assumptions that help cover up and enable these crimes.” 
— Publishers Weekly (Starred Review)

About the Author
Jon Krakauer is the author of Eiger Dreams, Into the Wild, Into Thin Air, Under the Banner of Heaven, Where Men Win Glory, and Three Cups of Deceit, all of which are available in Anchor paperback and eBook editions. He is also the editor of the Modern Library Exploration series.

 
“Jon Krakauer combines the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound insight of the born writer.” —American Academy of Arts and Letters Award in Literature citation

Most helpful customer reviews

252 of 287 people found the following review helpful.
Brave Women who fought the system
By Libaryteacher
Just finished Missoula and found it to be one of the best nonfiction books I have ever read. I live in Montana and 30 years ago I went to college in Montana-not at The university of Montana in Missoula. My senior year my apartment was broken into and I was raped by a guy I had been out at a bar with that evening. Later that year I went to a bar with friends who left me. I needed a ride home and a guy I kinda knew offered me a ride in his pickup. I had not been drinking. He drove past my apartment and continued to drive fast to his place out of town and only took me home after he raped me- I thought I was going to die that night. Keep in mind that I had only gone to bars a handful of times in 4 years of college when these rapes happened to me. Either I was extremely unlucky or rapes are very common. Ask any sampling of 5 women and you will find that at least 3 have been sexually traumatized at least once during their lifetime.

Campus rapes and non campus rapes are almost epidemic in our society. Thank you Mr. Krakauer for researching and writing Missoula. It was a hard book for me to read, but worth every tear I shed. After each chapter I had to go outside and walk off the fear and memories. The young women whose stories you told so eloquently are much braver and stronger than I ever was when it happened to me. Thank You.

136 of 159 people found the following review helpful.
A powerful examination of sexual assault in America
By Amanda Sledz
In "Missoula" Krakauer presents, sometimes in agonizing detail, the lasting injuries inflicted upon several women in Montana who were sexually assaulted, often times by members of the Grizzlies football team. From the assaults themselves, to the invasive post-rape examination, to equally invasive and character defaming trials, to the blowback from a community inclined to support football over all, it's a stunning presentation of our flawed court system, and the manner in which rape victims are treated.

Supported by research, Department of Justice investigations, trial observation, and victim testimony, "Missoula" seeks to underscore that victim status is not tidily resolved at the conclusion of a trial, and justice is hard-won, particularly when the accused struggles to understand their guilt. The level of denial presented by families, in particular -- even when confronted with outright admission of guilt -- shows that the court system begs for crime to not be crime, if the person can make something of themselves eventually. While this book is set in the same town as the title, it is also Any College Town, America -- and is a book that everyone should read.

"Missoula" has heroes, like police detective Guy Baker who encouraged Allison Huguet to report Beau Donaldson, and persuaded Hillary McLaughlin to testify about an attempted rape at Donaldson's trial. It also champions Charles Couture, former University of Montana Dean of Students, who conducted investigations into three of the rape cases presented in this book, and chose not to bow to community pressures to favor football players. The book also has its villains, like Kirsten Pabst, a prosecutor who actually showed up at a college hearing in defense of the accused.

Krakauer is not attempting to be unbiased; this book is in defense of rape victims and against the culture that enables rapists to walk free. Still, the book would have been stronger with a one-on-one interview with controversial prosecutor-turned-defense attorney-turned-prosecutor Kirsten Pabst, who appeared to deliberately avoid sexual assault cases during her tenure -- a fact further revealed through Department of Justice investigations. Presented as calculating, narcissistic, and intentionally negligent, hearing her voice respond to these allegations would have added another layer, and offered more information as to the mindset of an individual who appears to prioritize trial victory over justice.

Similarly, the demonization of Gwen Florio, a Missoula journalist, by the community at large comes up repeatedly, but since her articles aren't cited and there isn't extensive examination of her role, it's hard to understand why she was such a polarizing figure, and what kind of impact this might have had on her life. It would have been helpful to better understand the relationship she had with various rape victims and the community itself, as well as what role she thought she played in the tale as it unfolded.

Also missing is insight as to the mindset of the average Missoula citizen, to understand better what informs a culture of enabling. Krakauer describes the passion for football and the tendency of the average citizen to be more educated than average, but this doesn't offer the same insight that candid interviews would provide, or thoughtful observations of daily interactions between men and women, college students and towns people. I found myself wanting Krakauer to wander into a neighborhood bar for a conversation with the men and women seated at tables, instead of reading the comments people tend to post on the internet when they have no fear of the words becoming attached to their faces.

Overall, the book is fast-paced, completely engrossing, and an important testimony about sexual assault in America. It's a dark story that emphasizes that ways rape permanently alters the lives of victims, and how only communities working collectively can change things.

98 of 119 people found the following review helpful.
Important Book - Glad I Read It
By Curtis Johnson
This book made me think more about rape in the past three days than I have in my previous 46 years. I am very glad he wrote it.

The women in this book are heroes to me. By facing their detractors and demons they inspired this book, which will be widely read. They brought focus, and hopefully change, to a prevalent, largely invisible, and incredibly damaging social problem. Many victims will be inspired by them to speak out, and as a result WHAT HAPPENED TO THEM WILL NOT HAPPEN TO MANY OTHERS BECAUSE OF THEIR BRAVERY!

I've already talked to my 12 and 14 year old boys about the situations and consequences from this book. We spend a lot of time talking to women about avoiding these bad situations, but not nearly enough to young men. The young men in the book irrevocably damaged the lives of these women, but also their own lives, their families and their communities.

It is also clear from this book how alcohol played a role in the majority of the rapes in this story.

Our national propensity for protecting the bad behavior of athletes, particularly football players, is a sickness. I am a Packers fan -- but this book reminded me of how entitled and above the rest of society some athletes feel they are. The reaction and attack on the victims from many in Missoula should be cause for deep national reflection.

As Krakauer alludes to -- this book probably could have been written in any college town. I think the title is unfortunate and unfair to Missoula which is a great community and full of many wonderful human beings.

Coming on the heels of the Rolling Stone article which proved to be a false accusation of rape shows how lives can just as easily be ruined by a women willing to make a false rape accusation. The book has a brief nod to this as well by sharing a case of an innocent man convicted of rape and the loss of his likely future as a result. This is another reason I warned my boys about putting avoiding situations like these in the first place.

This book is as good as "Where Men win Glory" was bad! I live in Bozeman, MT. I have read all but one of Krakauer's books and have enjoyed all but one (Where Men Win Glory).

See all 1021 customer reviews...

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The nail-biting continuation to the Lightbringer series from New York Times bestseller Brent Weeks.

When does an empire fall?
The Seven Satrapies have collapsed into four-and those are falling before the White King's armies.
Gavin Guile, ex-emperor, ex-Prism, ex-galley slave, formerly the one man who might have averted war, is now lost, broken, and trapped in a prison crafted by his own hands to hold a great magical genius. But Gavin has no magic at all. Worse, in this prison, Gavin may not be alone.
Kip Guile will make a last, desperate attempt to stop the White King's growing horde. Karris White attempts to knit together an empire falling apart, helped only by her murderous and possibly treasonous father-in-law Andross Guile.
Meanwhile, Teia's new talents will find a darker use-and the cost might be too much to bear.
Together, they will fight to prevent a tainted empire from becoming something even worse.

LightbringerThe Black PrismThe Blinding KnifeThe Broken EyeThe Blood Mirror
For more from Brent Weeks, check out:
Night AngelThe Way of ShadowsShadow's EdgeBeyond the Shadows
Night Angel: The Complete Trilogy (omnibus)Perfect Shadow: A Night Angel Novella (e-only)The Way of Shadows: The Graphic Novel

• Sales Rank: #689 in eBooks
• Published on: 2016-10-25
• Released on: 2016-10-25
• Format: Kindle eBook

Review
"Brent Weeks has a style and immediacy of detail that pulls the reader relentlessly into his story. He doesn't allow you to look away."―Robin Hobb

"The Lightbringer series is great fun. Nobody does break-neck pacing and amazingly-executed plot twists like Brent Weeks."―Brian McClellan, author of Promise of Blood

"His plot feels like an orchestrated chess match between genius grandmasters."―Publishers Weekly on The Broken Eye

"The Blinding Knife was even better than the The Black Prism (and that's saying something!)"―B&N.com on The Blinding Knife

"Brent Weeks is so good it's starting to tick me off."―Peter V. Brett, New York Times bestselling author of The Desert Spear on The Night Angel Trilogy

"The Blinding Knife is a wonderful work of high fantasy with engaging characters facing the perfect antagonists, set in a creatively-wrought and increasingly chaotic world brimful of imaginative magic and interesting politics. Weeks holds fast to the traditions of his genre while adding a compelling new flavor."―The Ranting Dragon

"One of the best epic fantasies I've ever read."―Staffer's Book Review on The Blinding Knife

"Weeks manages to ring new tunes on...old bells, letting a deep background slowly reveal its secrets and presenting his characters in a realistically flawed and human way."―Publishers Weekly on The Black Prism

"...A solid, entertaining yarn."―The Onion A.V. Club on The Black Prism

"Weeks has written an epic fantasy unlike any of its contemporaries. It is a truly visionary and original work, and has set the bar high for others in its subgenre."―graspingforthewind.com

"One of the best Fantasy books of 2012!"―A Dribble of Ink on The Blinding Knife

About the Author

Brent Weeks was born and raised in Montana. He is the New York Times bestselling author of the Night Angel trilogy and the Lightbringer series, among others. He lives in Oregon with his wife.

Simon Vance is an award-winning actor and an AudioFile Golden Voice with over forty Earphones Awards. He has won thirteen prestigious Audie Awards and was Booklist s very first Voice of Choice in 2008. He has narrated more than eight hundred audiobooks over almost thirty years, beginning when he was a radio newsreader for the BBC in London.

Most helpful customer reviews

48 of 51 people found the following review helpful.
Mixed Bag
By S. A. Ford
Well, that was disappointing. Kind of.

First off, I feel I must warn potential readers that Blood Mirror is not, in fact, the last book in the Lightbringer series, as I thought, but rather the second to last. Undoubtedly, this unknown fact (to me) somewhat soured my experience of the book as a whole and, undoubtedly, I am somewhat to blame for not double/triple-checking the series length BEFORE reading. After all, fantasy authors do, unfortunately, have a habit of stretching things out once they have a hit on their hands. Weeks having changed it once from a trilogy to a quadrilogy(?) already, I thought this series was safe. Locked in. Apparently not. But, I digress. To the actual *penultimate* book itself.

Despite the initial grievance, this is not a bad book. Indeed, there is a lot of good stuff here, a lot of creativity, a lot to admire. The magic system, the fun interplay (for the most part) between the characters, the surrounding mythos of the world--all of that is still here. Some of it is expanded upon or, even, improved.

Kip, in particular, sees vast improvement in this installment. Previously, I must admit that I have always disliked this character and his POV chapters and I bemoaned it when the series began to shift away from Gavin and more toward his whinging (albeit fake) bastard. He was annoying and unfunny in a particularly painful, cringe-worthy sort of way (and not in the cute, adorkable way that Weeks was obviously trying very, very hard to evoke). In this book, however, his maturity grows in leaps and bounds and the evolving relationship between him and Tisis is one of the Blood Mirror's stronger points. So, yes, I actually found myself liking a few of Kip's POVs this time around, which was something of a shock.

Karris and Teia, meanwhile, are both serviceable. Neither have any WOW moments, but they both have stuff to do and that stuff is generally interesting. And that's all I have to say about that.

Gavin, though, is the best, as always,and he remains the primary reason I read this series. As in the Broken Eye, there is too little of him here when compared to the other POVs--but, as I expected this, I didn't mind the focus on the other characters overmuch. With him, the story always crackles on the page, and this book is no different.

I will quibble slightly, however, and say that it is in his plot line you can feel the stretching of these books the most. It's quite clear, as it was in the last, that Gavin's plot is ready to move on, to get going toward the end-game, but because Kip's and the rest aren't, Weeks has to make Gavin's chapters shorter and sparser and, in a sense, very Rand al'Thor-esque (which is both good and bad, as you Wheel of Time fans ought to know).

As for the actual writing, it is, like in the previous three, uneven. Weeks' inner dialogues go on far too long, explain things far too much, spell out what exactly precisely specifically the characters are feeling at all times, and generally illustrate an overall lack of trust in his reader to intuit anything on their own. If not for the cursing and violence, this series could very easily be put in the YA category. Every now and again, though, Weeks will go on these wonderful little runs that are both surprising and beautiful. A paragraph, a bit of dialogue, that is genuinely moving.

But alas, similarly, the tone is also all over the place. One minute characters are making fart jokes, the next they're saying ridiculously melodramatic things like 'I am become death'. Also, a character directly quotes Sartre, somehow, some way, and for some reason.

Basically, with Weeks one learns to take the good with the bad. Great, creative ideas; wildly varying execution of those ideas.

As for the last couple critiques, I fear I must dip briefly into virgin waters. So be warned:

SPOILERS AHEAD

Let's just cut right to the heart of the matter, shall we? Ret-conning. Others here have accused Gavin's backstory as presented in Blood Mirror as a rather extreme form of ret-conning, and I have to agree. At the very least, it feels something as a cheat. We the readers have always recognized the fact that it was a ridiculous notion that fake-Gavin had managed to smuggle real-Gavin into the center of a bustling, paranoid city and imprison him there without anyone the wiser. But the books previous to this one never wavered in the conviction of that notion and so we, the readers, went with it. We accepted it. Hell, we even got several POV chapters of real-Gavin trying to escape.

But now, it turns out that we were all just having a grand shared fictional hallucination--because real-Gavin was actually never imprisoned, he was killed by fake-Gavin ages ago, during their last battle. Mind blown, I suppose, even if it feels as though this was a twist either made up completely on the fly, or well after the second book was written.

There are other revelations made to fake-Gavin down in his colored prison that I won't go into here as, for the most part, they worked. This Fight Club twist was the only one that really had me rolling my eyes. Heavily

Now, on to the much maligned subplot with Tisis and her uncooperative loins. Yes, you read that right. There is a goodly portion of this book, an epic fantasy/adventure, devoted to a young teenage couple being unable to consummate their marriage due to the clenched too-tight muscles of a lady's nethers. Reading the other reviews, a lot of people seemed to have some hate for this one, but honestly I didn't mind it. It dragged on for far too long (penetration is only achieved, in fact, in the very last chapter and on the very last page of the book, which is--to be frank--an odd choice) and it reminded me of a 30 Rock episode wherein Liz Lemon experiences the very same problem, which made me chuckle a little every time the problem was brought up. But overall, eh. It was fine. Sort of weird, not in that this issue exists, but in that so much time and word space was devoted to it. But fine and it didn't ruin the book for me by any stretch.

END OF SPOILERS

So, yeah, basically you already know if you're buying Blood Mirror or not. If you've read the previous three, you're buying it. I'll just add that you don't have to worry about Wheel of Time levels of filler here. Stuff actually happens. There is also no absolutely egregious cliffhanger (ala Dance of Dragons/Walking Dead). And the next book, book 5, has a BUNCH of cool stuff set up to happen. So. Nothing to worry about. Yet. But if a Book 6 is ever announced, yeah. Ima be worried.

Otherwise, my fellow fantasy chums, we all of us settle back in for the long wait. Doors of Stone, Winds of Winter, Stormlight 3, etc, etc, and now another Lightbringer book. So. Here's to hoping the end next promised us is actually that: an end.

5 of 5 people found the following review helpful.
Too much filler and not enough moving of the plot
By A.K.
This book just isn't as good as the others. There's a ton of filler that doesn't further the plot. Seriously didn't need an entire segment of the book dedicated to bedroom problems. I read fantasy books to escape reality for a little bit and the filler was just painful.

4 of 4 people found the following review helpful.
Unfortunate.
By William Hardy
First three books were great, interesting characters and plenty of action. This one is a bit of a slog. It feels lacking direction and there are many, many paragraphs that are just a waste. Chapters are short, and you switch characters every single chapter- it's hard to even find your bearing sometimes. We might be at the infamous downturn of a great series. Unfortunate, I really liked the premise.

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